New Music meets Bio Art – an experimental life cycle in three parts
Kreation: 21./22. March
Helmut Lachenmann Toccatina (1985) Study for violin solo
Alvin Lucier Music for Piano with Magnetic Strings (1995) for piano with e-bows
Neo Hülcker unboxing transmitter (2019, world premiere) for bass clarinet, violin, piano and video projections
Florian Bergmann Schall und Rauch (2018/19, world premiere) for bass clarinet (demi-clarinet), viola, piano, water cooker and samples
Rezeption: 6./7. June
Benedikt Bindewald Piece of Mind (2019, world premiere) for bass clarinet, violin and piano
Hanna Hartman Apricots (2015) for bass clarinet, violin, piano with wooden apricots, playback and bricks
Damian Scholl Intimacy (2014) for violin and piano
Christian Pedro Vasquez Miranda Neues Stück (2019, world premiere) for bass clarinet, violin and piano
Dekonstruktion: 19./20. September
Peter Ablinger Neues Stück (2019, world premiere) for bass clarinet, violin and piano
Benedikt Bindewald eins zwei drei – Stück herbei (2010/16) for violin and piano
Florian Bergmann Filterskizzen(2019, world premiere) for solo prepared piano
Jose Pablo Polo hidden (2012) for a clarinetist without instrument
In a three part concert series the Trio Transmitter for new music along with Bio Artist Margherita Pevere explore the life cycle of an artwork: its creation, reception, and deconstruction. In Cells, Sounds & breeding Soulsthese three stages of being are represented in different forms of expression, growing out of connections built between contemporary music and the artistic-scientific exploration of living materials.
The artists interact in a primal landscape made out of organic materials that transform over the three concert segments into an expansive installation. While Margherita Pevere appears as performer, musicians Florian Bergmann (bass clarinet), Benedikt Bindewald (violin/viola) and Alba Gentili-Tedesci (piano) give life to compositions that birth in March, become in Summer, and finally embrace the time of reshaping in the Autumn. In addition to existing works that fit into the three cycles, Cells, Sounds & breeding Souls features new works by Neo Hülcker, Christian Vasquez, Peter Ablinger, Florian Bergmann, and Benedikt Bindewald.
Through the inclusion of everyday objects such as water cookers and bricks, as well as electro-acoustic sounds and video projections, the music’s boundaries open and exchange in dialogue with the Bio Art installation.
Bio Art is an art form that, working with living materials and organisms, unavoidably is affected by life cycles. It is dedicated to the observation and production of living processes and moves along the border of art, science, and technology. To create Cells, Sounds & breeding SoulsMargherita Pevere focused her artistic research on the differences and intersections of musical time and tempo and the organic material of living organisms.
An integral part of this interdisciplinary work is also the process of exchange between all of the artists, and the life cycle that the artistic process itself has undergone.
What debates and disputes between the artists have shaped the form of this work and lead to its final form as three evening concert installations?
A production by Trio Transmitter, funded by the Hauptstadtkulturfonds.
PR contact: Nora Gores | nora@kunst-PR-ojekte.de